ABOUT THE POEM: Discipline is not an abstraction here; it is a lived constraint, a self-imposed job that never clocks out. The speaker does not romanticize suffering or dramatize isolation. Instead, he inventories it the way a laborer inventories tools: briefly, without complaint, and with the assumption that the work continues regardless of mood. “This is my entire job profile-poor thing” is not self-pity; it is a dry acknowledgment that no external role, title, or audience will carry the weight for him. Responsibility is solitary by nature. The act of examining what happened and why is framed as necessary but limited. Reflection is allowed only up to the point where it threatens to soften resolve. Crying on one’s own shoulder is permitted, then dismissed. Weakness is not demonized; it is managed. The walk continues not because nothing happened, but because stopping would grant the event authority it does not deserve. The refusal to bow-“not even to myself”-clarifies the ethic. Pride, self-loathing, mercy, cruelty: all are treated as irrelevant variables. The poem does not argue for kindness or brutality. It argues for continuation. “No mercy” is not violence toward others; it is the denial of internal bargaining. There is no appeal to fairness, no negotiation with circumstance. The social landscape is observed with distance. The brilliant are immobilized by excess awareness, trapped in endless refinement, polishing language and diplomacy until effectiveness is blunted. Lesser men take the opposite path, chasing shortcuts, opportunism, and spectacle when endurance thins. Neither extreme is admirable. One dissolves into paralysis, the other into scavenging. The speaker positions himself deliberately between these poles. The “lethal middle” is not a place of moderation but of balance under pressure: enough intellect to perceive danger, enough weight to act anyway. Calculation and politics are rejected not because they are useless, but because they delay motion. What remains is biomechanics-stride, gravity, momentum. Within this frame, the contested line belongs precisely where it stands: “I know struggle is not worthless, unlike sharper or blunter minds.” This is not a boast of superiority but a boundary. Sharper minds dissect struggle until it loses meaning; blunter minds endure it without learning. The speaker claims neither genius nor simplicity, only the capacity to extract value from resistance without worshiping it. Struggle is not a virtue in itself, but it is not empty. It is formative weight. Character, then, is not a moral preference. It is mass. It presses inward and outward simultaneously, shaping posture and force. Inner steel without outward force collapses into contemplation; outward force without inner steel becomes brutality. Discipline is the integration of both. The closing declaration-name, motion-matters because it refuses conclusion. There is no lesson offered, no invitation extended. Identity is asserted only to confirm continuity. The walk is ongoing. That is the job. That is the discipline.
Discipline
This is my entire job profile-poor thing.
Alone, I probed the wound: what happened, why-
tears soaked my own shoulder.
Yet I scorned the sniffle as childish
for a man forged in character.
I braced before weakness could root,
marched on
as if the blow had never landed.
Harsh, brutal, cruel, ruthless-
no matter. No retreat.
Life is not grand,
yet still no cause
to kneel-
not even to myself.
No mercy.
The brilliant freeze in their own glare;
they haggle with the void,
buffing diplomacy till the blade goes dull.
Victory arrives too cheap to scar-
they rule the world
but never master themselves.
Lesser men grub the gentle slopes,
plunging for petty tricks
the instant air grows thin.
They crave the crown without the climb,
barter skin for phantom gains.
I hold the lethal middle-
mind sharp enough to spot the cliff,
gravity strong enough to leap.
I spurn the gifted’s easy yield,
the small man’s hollow theft.
I know the climb’s raw weight
is what forges soul from steel-
that answer comes only
in the furnace of the effort.
No sums, no schemes-
only the clean cadence of the stride.
Character is no option;
it is the load I shoulder
with inner iron, outer force.
No victimhood, no chains-
only disciplined steps
locked to the true will,
the deep desire of heart and spirit.
What is, is.
What is not, is not.
My character will never steal another’s right,
even if one day I veer alone
and the parting cuts me or them.
In the end, even character
must bow to the heart.
That is my job.
I am Ronie Dinosaur.
I am walking.