Ronie Dinosaur Chapter 4 – The Weight of an Empty World
I. The Question of Existence
In a world that refuses
to quench the thirst of my heart
or feed the hunger of my body,
and where even inside my own thoughts
women have humiliated me-
where exactly do I live?
In a world where women do not sell themselves,
and I do not allow myself to take anything by force,
how would I have lived at all?
I do not beg.
I do not ask.
And why would anyone give?
My condition is worse than Shiva’s,
or any god’s, or any man’s:
less strength,
less stature,
less lifespan.
Because I have nothing.
No dog.
No cat.
No plant.
No insect.
No wife,
no child,
no mother,
no sister,
no brother,
no friend,
no girlfriend,
no lover,
no whore,
no mistress,
no father,
no god.
No one ahead of me,
no one behind me.
I have no one.
None at all.
My heart longs for love.
What am I supposed to make
of such an empty world?
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II. The Weight of Absence
This grief-this emptiness-has mass.
It weighs more than every corpse that ever rotted
and every ghost that ever screamed.
People kneel and beg the sky for crumbs.
I stand up and dare the universe:
If you will not carry me,
at least do not trip me.
They are wise-they accept their cages.
I am the fool who still rattles the bars
for a birthright no one ever promised.
Whatever.
I barely know my own name.
I was born fifteen minutes ago.
Never mind.
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III. The Toy
One night in the bazaar I bought a toy.
Later, in the dark, I was on top of her-
the cheap plastic kind that costs less than dinner.
Her belly pressed flat, her face turned away,
not a sound, not a breath.
I stopped mid-thrust.
I was enjoying it.
Was she?
I whispered her name-whatever was stamped on the box-
and said, “I love you.”
Before the words even left my mouth
she answered,
“I love you too.”
The toy spoke.
It was fascinating,
it was cool.
I stopped everything,
brought her to the head of the bed,
lay down beside her,
and started talking to her.
The response felt better than the act itself.
Maybe she wondered whether she had said something wrong-
that I had stopped the pounding
and switched to something this stupid and tender.
It was never truly mine.
It went back into its own box.
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IV. The College Friend
And that’s when I remembered a friend from college.
What if I stood before her now,
and she looked at me and her eyes asked,
What happened to you?
How would I face her?
I am not what I used to be.
I am a nobody without use,
a person with nothing left to lose.
I was too dumb to hold on to anything,
and now I have nothing to share.
They rehabilitated me into this.
I think of you-what if you saw me like this?
You would have your reasons to leave,
but the man I once was
is already gone.
I never wanted anything from anyone.
And the moment they realized
I couldn’t give them what they wanted from me,
they removed me from society.
A character that refused to compromise
finally had to face the price of love:
sold on counters, folded in sheets,
never given freely.
They murdered me with that truth
and made me sign my own confession.
They stripped me of my name,
my form, my shape, my weight-
even my human rights.
Here, even if I breathe or drink,
it weakens my claim.
I fight for the right to own
simply by staying alive.
Do not call me by my name if you see me.
I do not know what I would do.
A person cannot hide
from the one they once belonged to.
And yet, looking into your eyes-
not easy,
but I might manage to stay standing.
People kept passing by, decade after decade.
I have stared at millions of them,
and not one came close.
I am not complaining.
I know you would have other things to do
to survive the world.
But I will never again imagine myself
as the person who once stood equal to you-
though I will always remember him
while looking down.
I heard you found someone to love you.
You had to, sooner or later.
Not a day goes by that I don’t think of you.
Your laugh, your giggle-
the way your face brightened
when you looked at me-
felt like distant sunshine
breaking through wet, dark streets.
I will never tell you any of this.
No one visits me
except an old, casual “How do you do?”
Behind iron bars,
looking at the moon caught in branches,
I thought:
What if you were mine?
Then reality struck:
I can’t even reach the air outside.
Life is monstrously, monotonously large-
large enough to let a man imagine
every impossible fantasy
before crushing each one under its heel.
Our eyes have spoken for ages,
but I fear I will not even tell you
that it is me.
Those who lost me
when they claimed they cared-
how would they accept me now,
swept aside, worn down,
left in the dust?
I was lesser in your eyes.
Only men do that. I was not equal.
I could only drink alcohol
and curse dirty words.
What’s gone is gone.
Gone with the wind.
No love has ever returned
from the past.
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V. The School Crush
And then there’s a third girl I remember.
That was where all of this started.
It was the days of teenage,
when I used to think, let it once be me.
And I fell in love at first sight one day,
only to be rejected later
and humiliated by another stubborn one I chose.
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VI. The Alien Girl
These were the real ones,
and the thoughts-
they have also lived in me once.
A small, childish hope: somewhere past the last star,
a girl with strange eyes and no human prejudices
was already walking toward my coordinates-
only the map was wrong,
and she would never arrive.
I kept the porch light on for her anyway, for years.
Then the decades did what decades do:
they walked past house after house with the light still burning,
and no one knocked.
The silence grew heavier than rejection.
Not “you’re not enough for them,”
but the colder truth:
there is no “them” waiting with the one face
that would have seen me clearly.
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VII. The Bride
When I was a kid, fascinated by weddings,
I just wanted to glimpse the bride-
a strange, new curiosity waking in the boy in me.
In my early teens, I overheard an angry woman hiss,
“Yaar toh randiyon ke hote hai.”
Hookers have guy friends-cheap boyfriends.
I didn’t understand the insult then.
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VIII. The Whore
Tonight, eating alone in a jail canteen,
the meaning arrived before I finished chewing.
I have never married.
There has never been a bride for me.
I have only attended the weddings of others.
A few years ago, a Punjabi hooker used to call me yaar,
and suddenly the old insult snapped into place.
I was the cheap boyfriend.
She left me anyway for another.
I was broke, and I was a bore.
I’m not selfish.
I’m not jealous of the rich, the famous, the strong-
not even of the shallow men who deserve nothing
yet get everything.
But when I see a man walking with his girlfriend,
hand in hand, easy, unafraid,
something in me cracks open
and the sadness spills out-clean, unavoidable.
I watch girls on the street, on screens-
laughing, glowing, effortless-
and I can’t understand what they’re so happy about.
Maybe they never had to pretend with me.
Maybe they never had to see me at all.
No alien rescue ship.
No hidden soulmate on the far side of the galaxy.
No cosmic refund for all the loneliness paid in advance.
What’s left when the last fantasy dies
is brutal, almost sterile.
The universe isn’t hiding her;
it simply never wrote that clause into my contract.
I am the remainder when every equation
of belonging, reciprocity, being chosen
is solved to zero.
And still the heart keeps beating-
absurdly loyal to a life
that was never promised a counterpart.
So I walk, like Ronie-
not toward anyone anymore,
just forward,
because stopping would be the only real defeat.
The porch light is off now.
The stars are only stars.
The road is empty in both directions.
Still walking.
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IX. The Flame That Refuses to Die
The greater the darkness, the greater the light required-so they say.
But what light?
From where?
I have already burned my body,
my mind,
and whatever was left of my soul
chasing needs that never met me halfway.
Lust unfulfilled.
Desire unreturned.
Hunger unanswered.
Thirst ignored.
Darkness untouched.
The only torch I carry now is my own character-
and it runs on the strangest fuel:
snakes to keep me disciplined,
grief to conquer it,
shame to get past it.
Three poisons that somehow keep the flame alive.
There are many types of darkness:
the absence of light,
black light,
gravity so dense that light cannot escape.
But there is a fourth kind, the one I know best.
When I say, “I light my own lamp,”
the universe does not change its laws for me.
No miracle.
No mercy.
No divine loophole.
The lamp burns-
yet the light is missing.
I know what I know.
And what I do not know-
I know that equally well.
So I light my own lamp again,
even if it blinds no one, not even me.
Not every flame needs to illuminate.
Some flames exist only to keep a man
from rotting in the cold.
This is that flame.
My flame.
And without it,
I would disappear entirely.
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Answer to question 2 : asked here Ronie Dinosaur Chapter 3 – Triyacharitam
Question 3: So I say I developed a character flaw because I needed a woman to love me-even if it was only physical-and I went to a brothel. But if I had been born in a world where no woman sold herself, what would the next option have been (other than force, of course)? What would it look like in a world like the one Shiva lived in?
Answer: The next option is to not go near any other woman. The person just stops chasing, dreaming, hoping, or praying entirely. I don’t hope, pray, or dream. I like to walk alone out of habit and style. I would just wait for the snakes-the blames and obligations-to die their death. Regardless of whether the grief is spent or not, I would make the shame and, this time, to go away into oblivion forever.
Some might say, If a transactional option (like the brothel) were unavailable for seeking physical or emotional company, what would be the next option in a world without commerce, similar to Shiva’s existence?
Based on the Ronie Dinosaur Character and the philosophical framework established in “Triyacharitam,” the only remaining option, absent force, would be Aggressive Asceticism leading to Inevitable Fame.
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Exercise for anyone who wants to answer:
Write your answer in the comments.
Question 4: What should anyone do when the lamp burns-yet the light is missing?


ABOUT THE POEM: Chapter 4 — The Weight of an Empty World is one of the structural keystones of the work. It does not function as backstory alone; it establishes the metaphysical gravity that bends every later chapter. This is where the book stops negotiating with hope. The chapter opens by questioning location, not geography. “Where exactly do I live?” is not a poetic flourish—it is an ontological problem. The narrator occupies a world where biological desire, moral refusal, and social reality cannot coexist. He will not beg, will not steal, will not coerce. Yet the world he inhabits distributes intimacy almost entirely through compromise, performance, or transaction. The result is not martyrdom, but displacement. He exists inside the system biologically and outside it socially. The inventory of absence—family, animals, relationships, God—is deliberately exhaustive. It is not melodrama; it is bookkeeping. By naming everything, the narrator closes the door on readers searching for a hidden support structure. There isn’t one. This is isolation stripped of romance. Even gods are rejected, not in rebellion, but redundancy—they, too, possess what he does not. Part II reframes emptiness as a physical force. Absence is given mass, weight, pressure. This is crucial: the suffering here is not emotional fragility, but sustained load-bearing. The narrator does not kneel. He stands and negotiates with the universe directly—not for rescue, but for non-interference. This is pride without delusion. The “Toy” section is the most dangerous and revealing passage. It is not about sex; it is about response. The moment of pleasure collapses when simulated affection appears. The narrator abandons the act for conversation. This reverses expectations and reveals the central wound: intimacy is desired not as conquest, but as recognition. The fact that it comes from an object—and that it feels better—condemns the world more than it absolves him. The College Friend and School Crush sections anchor abstraction in memory. These are not romantic recollections; they are post-mortems. The narrator does not imagine reunion—he imagines being seen as he is now, which is unbearable. Social exile is framed as bureaucratic: usefulness lost, access revoked. Love becomes something “sold on counters,” not denied by fate but priced out of reach. The Alien Girl is the last refuge of metaphysical hope—and it dies quietly. Not with rejection, but with silence. This is more devastating than humiliation. The universe is not cruel; it is indifferent. No clause was ever written. The final section introduces the flame—not as salvation, but containment. Character replaces hope. Discipline replaces warmth. The lamp burns without illumination. This is the book’s ethical spine: existence justified not by reward, but by refusal to rot. This chapter does not ask for empathy. It establishes terms. Everything that follows inherits this weight.









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